In Progress
New Work for Solo Guitar (written for Andrew Noseworthy's residence with Nevermind The Noise Composer Collective)
New Work for Percussion Duo (commissioned by Angle Percussion)
Existential Crisis (commissioned by The Wonderhorn Quartet, Bob Cole Conservatory @ CSULB)
Release Me (for orchestra)
I'm Alright, I'm Ok (EP, release date TBD)
After Nothing Comes (based on After Nothing Comes by Aidan Koch, spring 2021)

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Chamber Ensemble

Chasm (2020) 6’30"
for guitar, percussion, drum set, and elecrtronics
written for the Sō Percussion Summer Institute

Estuary (2020) 4’
for saxophone ensemble
written for the 2020 NYU Woodwind Summer Institute

Little Brewster Island (2020) 1’
for Bb clarinet and bass clarinet
written for Nicole DeMaio and Bradley Frizzell
​
Pineapple Street (2020) 4’30”
for piano, double bass, and drum set
written for Bearthoven’s 2020 residency at New York University

Duhkha (2020) 8’50”
for string quartet
written for the JACK Quartet's 2020 residency at New York University
​
harbor (2019) 11’20”
for percussion, piano, and electronics
premiered by DeLane Doyle and Dan Langa, November 17, 2019, Provincetown Playhouse, New York, NY
 
Toward Fiction (2019) ca. 10’
for percussion and electronics
premiered by Samuel Ber and Dan Langa, November 17, 2019, Provincetown Playhouse, New York, NY
 
BEAM (2019) 8’37”
for percussion quartet
premiered by the NYU Percussion Ensemble, December 9, 2019, Frederick Loewe Theater, New York, NY

Fever Dream (2019) 6’45”
percussion, electronics
written for Filament Duo
 
Zoom (2018) 10’
two percussionists, voice
premiered by Tom Wilson, Danielle Russo, and Caleb Brooks, Bucklet Recital Hall, May 2nd, 2018, Amherst College, Amherst, MA
 
Down The Line (2018) 4’
big band ensemble
premiered by the Amherst College Jazz Ensemble, Buckley Recital Hall, April 15, 2018, Amherst College, Amherst, MA  
 
The Ice–Cream Man (2018) 4’5”
piano, baritone voice
premiered by Caleb Brooks and Audrey Cheng, 2018 Amherst College Composers Salon, April 8, 2018, Amherst College, Amherst, MA 

The Passion of Joan of Arc (2018)  83’
flutes, oboe, clarinet, horn, bass clarinet,  percussion, piano, string quintet
premiered February 2nd, 2018 in Buckley Recital Hall, Amherst College
a live score to the 1928 film of the same name directed by Carl Theodor Dreyer. senior honors thesis at Amherst College. 

Eugene (2017) 7’25”
oboe, clarinet, bassoon
premiered by Phoenix Down Trio, Bedford Concert Hall, University of Wisconsin-Parkside, June 18th, 2017
 
Lens East (2017) 4’5”
violin, clarinet, piano
premiered by Zodiac Trio, The Center for Humanistic Inquiry, March 2016, Amherst College, Amherst, MA
 
A Measuring Worm (2016) 7’15”
violin, flute, piano, percussion, voice, electronics
premiered by Wet Ink Ensemble, Buckley Recital Hall, May 2016, Amherst College, Amherst, MA

Flux (2015) 5’35”
string quartet
premiered by the JACK Quartet, Buckley Recital Hall, December 2015, Amherst College, Amherst, MA
 
For Bob Morken (2015) 4’50”
violin, cello, piano

Solo Instrument

Lovells Island ​(2020) 1'
for solo violin
written for Yaz Lancaster

Deliquesce (2020) 2'50"
for solo piano
commissioned by Audrey Cheng, Amherst College Class of 2020

Humor Me, Please  (2018) 14'35”
solo flute and tape track
premiered by Mimi Harding, March 30th, 2018, University of South Carolina. written in collaboration with Mimi Harding for the Creativity in Music Awards at the University of South Carolina.

Refraction (2017)2'30”
solo piano
commissioned by Phuong-Nghi Pham, Amherst College Class of 2018
​
Miniature for Piano (2017) 35”
solo piano
 
Vignettes (2016) 8’50”
solo piano
premiered by John McDonald, Buckley Recital Hall, December 2016, Amherst College, Amherst, MA
 
11/9 (2016) 1’45”
solo piano
premiered by John McDonald, Buckley Recital Hall, December 2016, Amherst College, Amherst, MA

– Scores and parts available. Please contact Dan with all inquires. –